News
Editorial
All Years
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21st September 2023
Building On Tradition: Osei Bonsu Interviews El Anatsui at His Studio
Editorial
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23rd March 2022
Successful fundraiser for CCA, Lagos
Editorial
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20th December 2020
Two museums in two countries jointly acquire Anatsui piece
Editorial
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20th March 2019
Art buyers buy from Africa
Editorial
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30th July 2018
Modern African Art and Contemporary African Art in review
Editorial
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1st July 2018
El Anatsui’s ‘Revelation’ at Masterpiece London
Editorial
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26th April 2023
El Anatsui Honoured at Time 100 Most Influential People Gala In New York
Editorial
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11th January 2021
How El Anatsui Broke the Seal on Contemporary Art
Editorial
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22nd July 2020
‘Bottle caps are more versatile than canvas and oil’: El Anatsui on turning the everyday into art
Editorial
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26th September 2018
El Anatsui to sponsor six LIMCAF winners to Dak’Art Biennale
Editorial
–
30th July 2018
Cosiness Redefined at Masterpiece London, 2014
Editorial
–
6th June 2018
Charlotte Wagner adds El Anatsui to her collection
Editorial
–
21st September 2023
Building On Tradition: Osei Bonsu Interviews El Anatsui at His Studio
Editorial
–
26th April 2023
El Anatsui Honoured at Time 100 Most Influential People Gala In New York
Editorial
–
23rd March 2022
Successful fundraiser for CCA, Lagos
Editorial
–
11th January 2021
How El Anatsui Broke the Seal on Contemporary Art
Editorial
–
20th December 2020
Two museums in two countries jointly acquire Anatsui piece
Editorial
–
22nd July 2020
‘Bottle caps are more versatile than canvas and oil’: El Anatsui on turning the everyday into art
Editorial
–
20th March 2019
Art buyers buy from Africa
Editorial
–
26th September 2018
El Anatsui to sponsor six LIMCAF winners to Dak’Art Biennale
Editorial
–
30th July 2018
Modern African Art and Contemporary African Art in review
Editorial
–
30th July 2018
Cosiness Redefined at Masterpiece London, 2014
Editorial
–
1st July 2018
El Anatsui’s ‘Revelation’ at Masterpiece London
Editorial
–
6th June 2018
Charlotte Wagner adds El Anatsui to her collection
Editorial