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9th September 2022
El Anatsui joins 2023-2024 Rolex Mentoring programme
Announcement
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11th May 2022
2022 a good year for El Anatsui publications
Announcement
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30th September 2021
Emmanuel and Brigitte Macron visit El Anatsui’s first solo exhibition in France
Exhibition
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20th May 2021
El Anatsui is given Carte Blanche at La Conciergerie
Announcement
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20th December 2020
Two museums in two countries jointly acquire Anatsui piece
Editorial
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16th September 2020
El Anatsui awarded the Skowhegan Medal for Sculpture
Announcement
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25th May 2022
NOTICE FROM MR EL ANATSUI 23rd May 2022
Announcement
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23rd March 2022
Successful fundraiser for CCA, Lagos
Editorial
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1st July 2021
12 Botanical Gardens around the World to Host Ground-breaking, Augmented Reality Exhibition
Announcement
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11th January 2021
How El Anatsui Broke the Seal on Contemporary Art
Editorial
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22nd October 2020
El Anatsui’s first Solo Exhibition in France
Announcement
–
22nd July 2020
‘Bottle caps are more versatile than canvas and oil’: El Anatsui on turning the everyday into art
Editorial
–
9th September 2022
El Anatsui joins 2023-2024 Rolex Mentoring programme
Announcement
–
25th May 2022
NOTICE FROM MR EL ANATSUI 23rd May 2022
Announcement
–
11th May 2022
2022 a good year for El Anatsui publications
Announcement
–
23rd March 2022
Successful fundraiser for CCA, Lagos
Editorial
–
30th September 2021
Emmanuel and Brigitte Macron visit El Anatsui’s first solo exhibition in France
Exhibition
–
1st July 2021
12 Botanical Gardens around the World to Host Ground-breaking, Augmented Reality Exhibition
Announcement
–
20th May 2021
El Anatsui is given Carte Blanche at La Conciergerie
Announcement
–
11th January 2021
How El Anatsui Broke the Seal on Contemporary Art
Editorial
–
20th December 2020
Two museums in two countries jointly acquire Anatsui piece
Editorial
–
22nd October 2020
El Anatsui’s first Solo Exhibition in France
Announcement
–
16th September 2020
El Anatsui awarded the Skowhegan Medal for Sculpture
Announcement
–
22nd July 2020
‘Bottle caps are more versatile than canvas and oil’: El Anatsui on turning the everyday into art
Editorial